21,39 Jeddah Arts, ninth Version Themed ‘Amakin’

SAC in partnership with UBS Saudi Arabia and Van Cleef & Arpels publicizes the opening of AMAKIN, an exhibition that includes the work of 27 artists from Saudi Arabia and past.  

Jeddah, KSA (March 4, 2022) – SAC revealed the primary particulars of AMAKIN, the highly-anticipated 2022 version of 21,39 Jeddah Arts introduced by SAC and proudly supported by long-time patrons of the humanities, UBS Saudi Arabia, and legendary fantastic jeweler Van Cleef & Arpels.

This yr’s exhibition has been curated by artwork historian and curator Venetia Porter and can open to the general public from third March – third June and can then be hosted by Ithra, Dhahran from thirtieth June to 30 September 2022.

Impressed by the tune of Mohamed Abdo, al-amakin kullaha mushtaqah lak or ‘all of the locations lengthy for you’, for Amakin, Venetia requested contributing artists: ‘take us into your makan: a spot you’re keen on… someplace actual or in your creativeness.’


‘The minute I heard that tune all of it fell into place,’ she explains. Evolving throughout the world COVID pandemic when residence, desires, and creativeness turned a lifeline out of isolation, the ensuing works by 27 artists, each particular commissions and loans, are particularly poignant. Expressed via completely different mediums together with neon, portray, artists’ books, sculpture, images, poetry, and movie, the sturdy narrative explores every artist’s relationship to their very own makan.

The exhibition begins in Jeddah, town often known as ‘The Bride of the Pink Sea’, signaled in neon by Abdullah Al-Othman, and begins with pioneers of Saudi artwork Safeya Binzagr and the late Abdulhalim Radwi. Now 82, and a local of Jeddah, Safeya Binzagr is the one artist within the nation to have opened her personal museum, whereas the late Abdulhalim Radwi is well-known for his monumental sculptures on the Jeddah Corniche. In different works related to Jeddah, we additionally see a fantastical movie set in Jeddah by Mohammed Hammad, pictures evoking al-Balad by Emy Kat and Reem Al Faisal. Whereas Bashaer Hawsawi highlights the heterogeneous nature of town via the myriad of textiles from all around the world that may be present in al-Balad.


From Jeddah Bader Awwad AlBalawi takes us to North Khobar, documenting the altering nature of town, whereas Talib Almarri invitations us to his makan, the dreamy lake of al-Asfar. Ali Cherri introduces us to Sultan Zeib Khan who guards an historical necropolis within the Sharjah desert and Gaza-born Taysir Batniji’s poignant pictures inform a private story of the thought of residence.

Historical Arabia is highlighted via the Mu‘allaqat – the well-known poems reputed to have held on the partitions of the Ka‘ba at Makkah, and which had been the inspiration for the primary 21,39 Jeddah Arts, in a portray by Dia al-Azzawi. Catalina Swinburn has unpicked and re-woven archaeological textbooks books, whereas Shadia Alem’s drawings of the fabled Jinniyat of Lar are impressed by a narrative by her sister, the author Raja Alem.


In selecting and commissioning the works for the exhibition, Venetia was strongly drawn to artists who work with paper: ‘I’m fascinated by the method of drawing and printing, the fantastic thing about handmade paper, the phenomenon of the artist’s ebook and the way artists work with poetry to specific the thought of makan.’ Imran Qureshi makes use of the standard methods of the Mughal painters to inform modern tales; of their summary works, Sara Abdu paints with Henna, Badr Ali explores printmaking. Obadah Aljefri is impressed by his childhood notebooks, Asma Bahmim evokes the putting of texts in her aunt’s home al-Balad, whereas Manal AlDowayan turns a medieval textual content on therapeutic into ceramic scrolls.

Poetry additionally performs a central function: within the artists’ books of Hussein AlMohsen who’s impressed by the poems of Ghassan Alkhunaizi, whereas the sculptural types of the books of Dia al-Azzawi, Ghassan Ghaib, and Nazar Yahya crammed with poetry are a reminder of the destruction heaped upon Baghdad, town which additionally haunts Sadik Alfraji which he brings to thoughts within the story of a single tree on a Baghdad road or in his animated movie Ali’s Boat. Lujain Faqerah makes books that signify ‘locations of stillness, someplace quiet,’ and Muhannad Shono makes his ebook out of sand as a result of ‘sand chooses which tales to inform and which secrets and techniques to cover’.

Within the ultimate work within the exhibition Aisha Khalid, takes us to her makan, Makkah, the richly embroidered textiles recalling the kiswa, the materials that dress the Ka‘ba.



Venetia Porter was thrilled to be invited to take the helm in curating the ninth version of 21,39 after attending and admiring the completely different editions for the reason that starting. ‘It’s the imaginative and prescient of Her Royal Highness Princess Jawaher and the members of SAC, whose perception within the energy of artwork created 21,39 Jeddah Arts that makes this so distinctive.’

‘SAC actually offers you the liberty for artistic expression. I’ve been constantly impressed by the gifted artists who agreed to return on this journey with me.’ Born and introduced up in Lebanon, Venetia is fascinated by the area and its cultures. She studied Arabic and Islamic Artwork on the College of Oxford, has a Ph.D. within the historical past and structure of Medieval Yemen from the College of Durham, and has been a curator of Islamic and Modern Center East Artwork on the British Museum in London.



SAC is comprised of a bunch of native artwork fanatics led by the imaginative and prescient of Her Royal Highness Princess Jawaher who want to contribute to the local people via the promotion of artwork and tradition. They imagine that engagement with artwork has a constructive affect not solely within the direct communities the place they’re displayed however within the larger world past. 21,39 Jeddah sits on the forefront of Saudi Arabia’s modern artwork scene and has distinguished itself for supporting native, leading edge and undiscovered artists. The non-profit program consists of curated exhibitions, gallery openings, workshops, and a collection of talks and discussions that goal to construct bridges with the skin world via the common language of artwork.

For additional data, log onto or observe @sacsaudi on Instagram. 

Source link

Related Articles

Leave a Reply

Your email address will not be published. Required fields are marked *

Back to top button